Setup is simple - just select background and foreground, then adjust the key value. The recorded material can be aided by having reminder text inserted while the live feed can simply include the graphics. Live Streaming In this example, the LVS provides a powerful but compact virtual studio environment. The Downstream Keyer enables green screen compositions. Combined with the P Visual Sampler and video content from a PC, this setup is ideal for web streaming and live recording applications.
You can also contact our Product Support department by phone or email. Onboard programmability is a bit limited, but that's OK, the problem is rather the supplied software. Everything in it feels a bit old-fashioned, as if it was a piece of software coming from the early s. Not that it doesn't work, but the interface isn't the most intuitive and visually convenient.
The handling of MIDI ports is rather unintuitive and sometimes needs to be reset, and the presets organisation could be a bit smoother in my opinion. The above holds true for the manual as well. It's not "badly written", but many times I have had the feeling of it being unnecessarily overcomplicated. Some passages leave doubts as to what they are supposed to mean. Overall I am rather satisfied with this keyboard.
Report Do you believe this rating to be inaccurate or unacceptable for some reason? Please give us the reason for your assessment in the following text box and — if possible — your e-mail address for further questions. Great action. Very well made. Before buying this I bought a Panorama P6 see my review on here as I thought it was exactly what I needed to integrate with my DAW Logic , but more importantly I was looking for a controller keyboard with a great feel as I'd been using an old M-Audio Keystation 61es for years and it just didn't feel great to my fingers.
Anyway, long story short, the P6 had fantastic action - for part of the keyboard - and varying qualities through the other parts of the key bed. This on the other hand has that reliable Roland keybed which just feels great. It feels like a controller keyboard should feel to me - not like a piano, and not trying to be like a piano, just well made. The fact that the locator buttons and sliders integrate seamlessly into Logic is another plus, although I did like the fact that the P6 had infinite encoders instead of physical potentiometers like the A has - made tweaking parameters easier.
However, that's not a big problem for me as I'm more old-skool in my approach to recording - preferring to record live instruments in the main rather than endlessly tweaking synth parameters etc. The velocity curves are great and the keys are really responsive. Personally I'm not a fan of the Roland "joystick" control when it comes to modulation, but as you can assign modulation to one of the other knobs it's not a problem, and actually you get the best of both worlds because I do actually prefer Roland's joystick control when it comes to pitch bend.
So, if you're looking for a controller keyboard with a great synth-like keybed that's made really well then you can't really go wrong with the A It's a pleasure, and inspirational to play. Good keyboard. Roland really make things very complicated!!! But there is one more thing to watch out for: make sure the output you specify in the A-Pro Editor either 1 or 2 matches the port you set up under the Mackie Control. Then everything should work. Just figured out some new things.
If you turn off Omni on the A, use midi port 2 in the Mackie Control, or, If you want to leave Omni on, use all midi inputs in the Mackie Control dialog. Compatible with Apple Mac series Intel-based.
Compatible with Apple Silicon Mac using the M1 chip. If you have questions about operating your Roland product, please check our Knowledge Base for answers to the most common questions. You can also contact our Product Support department by phone or email. YouTube Channel This channel provides information of the Roland's best quality electronic musical instruments.
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